Elara is a seasoned sports analyst with over a decade of experience in betting strategies and statistical modeling.
It has been quite some time since the public caught a glimpse of the acclaimed actor Daniel Day-Lewis. Following his statement in 2017 that he would no longer pursue acting, just before the release of The Phantom Thread, the actor withdrew from the spotlight. Yet, during his hiatus, his reputation has only grown.
Largely, this legend revolves around his preferred style of working. Being an actor who famously immerses himself in his characters – for example, during the Lincoln biopic, he had Steven Spielberg call him “Mr. President” for the entire production – audiences has become increasingly obsessed with how he works. Did he really send texts to Sally Field in character as Lincoln? Was it accurate that he only eat animals he’d killed during The Last of the Mohicans? Did he demand being spoon-fed for My Left Foot?
Madness in their method: have we lost interest with over-the-top performances?
Currently, Daniel Day-Lewis is back in the limelight, with some hesitation, promoting his latest movie Anemone. He is using this to vocalise his frustration at how method acting is viewed. “I am somewhat annoyed these days to hear all kinds of people talking carelessly and using phrases like ‘gone full method’, which I think is meant to imply that a person’s behaving like a lunatic in an extreme fashion,” he stated to the New York Times. “Everyone often concentrate on the less important details of the work, and these elements typically include some form of self-punishment or a situation that causes extreme unease or psychological strain. But of course, in the life of an actor, it has to mainly focus on the internal work.”
To be honest, this sounds as if the actor has emerged from seclusion only to discover shocked by the acting community that has developed in his image. When you are regarded as one of the greatest performers to ever work, and your approach includes striking a prop until you break your nose (for Gangs of New York) or spending two days in solitary confinement deprived of sustenance (for In the Name of the Father), then it stands to reason that other actors will want to fill that vacuum by imitating your hero.
Essentially, we now live in a landscape populated by imperfect Day-Lewis impersonators who want nothing more than to show the world the sheer amount of effort they put into a character. At the shallow end of the pool we have people like Lady Gaga, who was determined to win an Oscar with House of Gucci that she dedicated the entire promotion attempting to persuade people that she became functionally Italian over 18 months as preparation.
Additionally, there is Jared Leto, who chose to deeply embed himself in the character as the Joker (for Suicide Squad) through sending “horrifying” gifts to his castmates. These items, depending on who you ask, included dead pigs and rats to anal beads and personal hygiene products, although Leto denied those worst excesses. And then, naturally, we have Jim Carrey, who immersed himself so fully into Andy Kaufman during Man on the Moon that filmmakers literally managed in creating a full-length documentary out of B-roll of him causing difficulties to the utmost for his colleagues.
The foremost practitioner of the Method currently seems to be Jeremy Strong (formerly Day-Lewis’s assistant), whose process during Succession was so laboriously intensive that it became the basis of a derisive magazine feature, full of quotes from people who were worried about his conduct (“The toll to himself that worries me,” said co-star Brian Cox) or extremely irritated by it (“I remember him causing everyone else roll their eyes,” stated an unnamed co-star).
The actor says he ‘did not plan to stop acting, really’
We have so many other examples. Andrew Garfield went celibate over half a year while preparing for Silence. Leonardo DiCaprio rested inside a dead animal during The Revenant. It’s quite possible that actor Austin Butler still speaks like Elvis Presley, three years after the movie’s release. All of this, in part, aims to evoke the seriousness in which Day-Lewis takes his craft.
Moreover, although his rebuttal to critics of the Method could be commendable, a short publicity tour may prove insufficient to alter perceptions, let alone their behaviour. Perhaps if he wishes to remind people what method acting is, or to show them its potential results, then the optimal strategy for Day-Lewis is to just start making additional movies. Certainly we could all get behind that.
Elara is a seasoned sports analyst with over a decade of experience in betting strategies and statistical modeling.
Jessica Guzman
Jessica Guzman
Jessica Guzman